The Role of Artificial Intelligence in Human Creativity: Threat or Catalyst for Cultural Innovation?
- Alejandra Blanco
- Oct 23, 2024
- 3 min read
Updated: Oct 24, 2024

For decades, artificial intelligence (AI) has often been viewed as a technical tool aimed at automating repetitive processes. However, we are now at a turning point where AI is beginning to play a more active role in artistic creation. This brings us to a crucial question: Is AI a threat to human creativity, or is it a catalyst that enhances it?
The cultural and creative sectors have experienced several waves of technological innovation that have generated skepticism. The arrival of photography was initially seen as a threat to painting but later expanded creative possibilities. Today, with AI, we are witnessing a similar shift. Margaret Boden, a pioneer in the study of artificial creativity, argues that "the real challenge is not whether machines can be creative in a human sense, but whether they can stimulate new forms of creativity that humans alone would not have explored"1. This reflection invites us to reconsider AI not just as a technical tool but as a partner in co-creation.
Projects like The Next Rembrandt (2016), which used AI to create a new painting in the style of the Dutch master, marked an important milestone. However, AI has rapidly evolved since then. More recent projects like AICAN and DALL·E 2 have demonstrated that machines can generate art without following predefined rules. AICAN produces works that are appreciated in international galleries, while DALL·E 2 has the potential to transform disciplines such as graphic design and illustration.
Lev Manovich, a new media theorist, explains in his work AI Aesthetics that "AI doesn’t merely simulate human creativity; it introduces entirely new aesthetic paradigms, transforming how we define and engage with art in the digital age"2. This perspective suggests that AI is not just an imitator but a technology that opens unprecedented possibilities, expanding creative horizons.
One of the most innovative examples in recent years has been the opera Frankenstein AI, presented in Los Angeles in 2021. This production uses AI to interact with the audience in real time, adjusting the narrative according to audience responses. This type of collaboration between machine and human challenges traditional storytelling limits and raises new questions about the future of interactive narratives.
Arthur I. Miller, in his book The Artist in the Machine, highlights that "the synergy between humans and AI is not just a collaboration; it’s the birth of a new kind of creative intelligence"3. In this context, AI does not replace the artist but acts as a partner that amplifies human creative potential, taking artistic creation to previously unexplored territories.
For cultural managers, the question is not just about adopting these technologies but understanding how to integrate AI ethically and creatively into their processes. AI raises fundamental questions about authorship and intellectual property. Who is the author of a work created by a machine? What role does the human creator play in this new creative ecosystem? These are issues that can no longer be ignored in the cultural and creative sectors.
In a world where technology and culture are increasingly interconnected, the key for sector leaders is to see AI not as a threat but as an opportunity to expand the imagination and explore new forms of collaboration. As Murray Shanahan notes, "AI is not a substitute for human creativity; rather, it’s an extension of our cognitive capacities, allowing us to explore creative avenues that were previously unimaginable"4.
Just as the digital revolution transformed animation and cinema, those who lead the integration of AI into art and culture will be at the forefront of a new wave of innovation. AI is the next frontier, and those who see it as an ally in creation will be the ones to define the future of art.
Margaret Boden, Professor Emerita of Cognitive Science at the University of Sussex, is a pioneer in the research of creativity and technology. Her book Creativity and Artificial Intelligence (1998) was one of the first to explore how AI could generate creative ideas.
Lev Manovich, new media theorist and professor at City University of New York, is the author of AI Aesthetics (2018), a work that explores the impact of AI on artistic creation and contemporary aesthetics.
Arthur I. Miller, historian of science and author of The Artist in the Machine: The World of AI-Powered Creativity (2019), investigates how AI is transforming artistic creation and how artists are collaborating with technology.
Murray Shanahan, Professor of Cognitive Robotics at Imperial College London, is the author of The Technological Singularity (2015), where he explores the impact of AI on human cognition and creativity.





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